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The Steam Papers: Notes on Elemental Grammar

To My Long-Suffering Confidant Being a Discourse Most Urgent Upon the Discovery That All Literature Springs from the Eternal Argument Between Fire and Rain My Dearest, Most Patient Friend, I write to you in a state of such intellectual agitation that my very pen trembles, and I fear these pages may bear witness to the fevered condition of a mind that has stumbled upon what I can only describe as the fundamental secret of all literary creation . The clock has just struck three, yet sleep remains as distant as reasoned discourse, for I am possessed by a revelation so complete, so all-encompassing, that I dare not close my eyes lest this understanding dissolve like morning mist before I can properly commit it to paper. You will think me quite mad—and perhaps rightfully so—when I confess what has consumed my thoughts these seven sleepless nights: the absolute conviction that every poem ever composed, every novel ever written, every drama ever staged represents nothing more—and ...

A Farce in Two Acts


Photo by Jez Timms on Unsplash
"Some stages are best abandoned—
let the desperate perform for an audience
 that no longer watches."
The One Who Walked Away

There had always been two.

Not halves of a whole — no, never so generous a fate. More like mismatched notes scratched onto opposite corners of a forgotten score. Both sounding off at once, too proud to listen, too foolish to stop.


Once, Under a Split Sky

Once, long ago, under a sun so full it almost split the sky, a voice had said— a thing about wings too bright to touch, too restless to hold.

And oh, how sweetly the words had fallen, spun of vanity and violet-tinged dreams.

The other — watching — had simply laughed inside, lips never moving. Pretty things flutter fast, after all. But even the brightest wings end up crushed between careless fingers.


Another Crown, Another Illusion

Another day, another crown of illusions: one claiming to be the story, the other dismissed as a footnote.

Yes, of course.

The page, flimsy and passing, curling under the smallest heat. The book, heavy, closing itself shut—a tomb of its own self-importance.

The listeners had smiled then too, a little thinner, a little colder.

And when that final little phrase,
so tender in its poison,
had been tossed into the air —
an accusation whispered by someone too stripped to cover themselves anymore —
how difficult it was not to laugh aloud.

How magnificently the pride had wounded itself, all without a single blow.


The War That Ended

Now, it is a grand and listless play.

One figure still writhes, frantic in a war long lost, gnawing at old insults like brittle bones. Corrosive envy paints their gaze a sickly green, hands clutching at nothing but smoke.

Each small fury — so petty it almost gleams — makes the audience yawn behind velvet gloves.


Above It All

The other?

There is no battle left to fight. Only a throne built of tedium, higher and higher, where even disdain struggles to climb.

There is a kind of mercy offered, perhaps— a tilted smile, a soft, hollow sympathy that almost sounds like kindness if one doesn’t listen too closely.

But it is not mercy.

It is amusement. It is boredom.

And when the struggling one spits their old lines again, mouthing them like spells whose power has long since drained away, the other merely watches.

Bright wings scatter in the mind like dust motes now. Not even the warmth of recognition left behind.


The Empty Theatre

There is no winner here, no triumph to claim.

Only one standing on the stage, soaked in sickened obsession, and the other leaning lazily against the edge of memory, too weary to even applaud.

The show ended long ago.

It is only pride that refuses to leave the theatre.

And somewhere, faint and lazy,
the applause still echoes—
but it is not for the fool still dancing.
It is for the one who walked away.


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